Pular para o conteĂșdo
Pular para o conteĂșdo principal

Graviola Soft

por Harbor Type
Estilos Individuais a partir de $0.00 USD
FamĂ­lia completa com 16 fontes: $160.00 USD
A família de fontes Graviola Soft foi desenhada por Henrique Beier e publicada pela Harbor Type. Graviola Soft contém 16 estilos e opçÔes de pacote familiar.

Saiba mais sobre esta famĂ­lia

Sobre a famĂ­lia


🏆 Selected for the 12th Biennial of Brazilian Graphic Design.

Graviola Soft is a juicy type family. It is based on our Graviola typeface, but we didn’t just round its corners. We redrew every stem and terminal so they would look just right. Combined with curved diagonal strokes and alternate glyphs, Graviola Soft makes for a super friendly typeface. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones work for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &). We think Graviola Soft works best on packaging, logotypes and headlines, but we’re eager to see what else you can do with it.

Designers: Henrique Beier

Publicador: Harbor Type

Fundidoras: Harbor Type

ProprietĂĄrio do design: Harbor Type

Estreia na MyFonts: Mar 26, 2016

Graviola Soft

Sobre Harbor Type

Harbor Type is an independent type foundry based in the city of Porto Alegre, Brazil. It is run by Henrique Beier, graphic designer by major, type designer by heart. I develop typefaces for retail and provide font production services to other foundries and type designers. The foundry was started in 2014 with the release of Densia Sans. First available on a pay-what-you-want basis, it was well received by the public and inspired me to pursue designing typefaces for a living. Later on came Graviola, Garibaldi, Malva and others. Along the way I learned that fonts are more than just nice letterforms. They stand at the crossroads of design and technology, which is why I also pay special attention to the technical aspects of typography.

Ler mais

Ler menos