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Kids Script

por Tipo Pèpel
Estilos Individuais a partir de $32.00 USD
Família completa com 3 fontes: $70.00 USD
A família de fontes Kids Script foi desenhada por Josep Patau e publicada pela Tipo Pèpel. Kids Script contém 3 estilos e opções de pacote familiar.

Saiba mais sobre esta família

Kids Script Family

3 fontes

Melhor Valor!

Por Estilo:

$23.33 USD

Pacote de 3 estilos:

$70.00 USD

Sobre a família


Kids Script is based on the calligraphic models used in Spanish’s primary school in the 40’s. The result is a fresh and naive typography perfect for use in children’s oriented publishing. Taking advantage of Opentype functions, it’s possible to get different styles of writing, adding initials, ligatures, contextual characters and alternatives, plus a complete set of uppercase letters. The font contains three different weights for solving the most common issues, working with perfect legibility and readability in all sizes.

Designers: Josep Patau

Publicador: Tipo Pèpel

Fundidoras: Tipo Pèpel

Proprietário do design: Tipo Pèpel

Estreia na MyFonts: Sep 13, 2011

Kids Script

Sobre Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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