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Klatter™

por Scholtz Fonts
Estilos Individuais a partir de $15.00 USD
Família completa com 3 fontes: $34.00 USD
A família de fontes Klatter foi desenhada por Anton Scholtz e publicada pela Scholtz Fonts. Klatter contém 3 estilos e opções de pacote familiar.

Saiba mais sobre esta família

Klatter Three-Pack

3 fontes

Melhor Valor!

Por Estilo:

$11.33 USD

Pacote de 3 estilos:

$34.00 USD

Por Estilo:

$14.50 USD

Pacote de 2 estilos:

$29.00 USD

Sobre a família


Klatter is a font that is "in your face". It can't be ignored, and draws attention to itself no matter how noisy the environment. It is available in three styles: - Klatter Regular is a clean, spunky, non-grunge font that uses a combination of straight lines and sharp angles to make a strong, no-nonsense statement; - Klatter SmallCaps, in which the lower case is a true "small caps" and not a shrunken version of the upper case (generated by the operating system); - Klatter Grunge is based on Klatter Regular but is "dirty" and messy, giving the impression of printing problems and wet ink being smudged. Unlike many other grunge fonts, Klatter Grunge is a font that is full of character. Both styles have a full character set with upper and lower case, numerals and mathematical symbols, as well as a full set of accented and special characters. The font has been carefully letter-spaced and kerned and the vertical spacing has been appropriately set. Klatter Grunge and Regular are appropriately purchased together since they complement one another when used in the same graphic design job.

Designers: Anton Scholtz

Publicador: Scholtz Fonts

Fundidoras: Scholtz Fonts

Fundição Original: Scholtz Fonts

Proprietário do design: Scholtz Fonts

Estreia na MyFonts: Feb 6, 2008

Klatter™ is a trademark of Scholtz Fonts.

Sobre Scholtz Fonts

Scholtz Fonts, started by Anton Scholtz in 1997, specializes in "African flavor" fonts. The foundry is based in Durban, South Africa, where the Zulu culture of the region has greatly influenced Anton's font design. In his profession as a graphic designer, he became aware of how few available fonts were suitable for African inspired design. He began to create his own fonts to enhance the work produced by his design company, and this branch of his design work has grown steadily in recent years.

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