Pular para o conteúdo
Pular para o conteúdo principal

Konsens

por Hubert Jocham Type
Estilos Individuais a partir de $39.00 USD
A família de fontes Konsens foi desenhada por Hubert Jocham e publicada pela Hubert Jocham Type. Konsens contém 18 estilos.

Saiba mais sobre esta família

Sobre a família


Germany has a strong heritage of industrial typefaces. These fonts seem like being constructed by engineers. The shapes seem to be built with circles and squares. DIN Mittelschrift is one very famous example, or the font on the old German car number plates. Since the Romain du Roi we know that it is tricky to draw a geometrical typeface. For optical reasons you have to go away from circles and lines with exactly one weight. Therefore the aim is not to construct a typeface but to draw it the way it seems constructed finally. The design of a typeface is like stage production. Like heavily made up actors the characters of a typeface must be exaggerated to work well. Particularly in small sizes.

Designers: Hubert Jocham

Publicador: Hubert Jocham Type

Fundidoras: Hubert Jocham Type

Proprietário do design: Hubert Jocham Type

Estreia na MyFonts: Mar 15, 2010

Konsens

Sobre Hubert Jocham Type

Hubert Jocham Type is the personal foundry of Hubert Jocham, started in 2007. In the early 1980s, at the start of his career, Jocham worked in a print shop with classic lead setting. He studied graphic design in Augsburg (Germany) and Preston (England). The degree project dealt with the history of the italic type of the renaissance and the relationship between roman and italic. In 1998 he moved to London to work for Henrion, Ludlow and Schmidt in corporate branding. He designed brandmarks and logotypes for international companies and designed corporate manuals. He got to know art directors of lifestyle magazines such as Frank and Arena, where he worked as a type consultant and type designer. Today Hubert Jocham is a freelance designer. He develops brandmarks and logotypes for leading brand agencies like Interbrand, Landor, Enterprise and Futurbrand. He designs text and headline systems for international magazines like GQ London, Vogue Moscow, L'Officiel Paris, Details New York and German publishers like Milchstraße and Gruner & Jahr. He is responsible for the corporate type of Bally in Switzerland, the Kunsthaus Graz and Agfa Photo.

Ler mais

Ler menos