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Ponent

por Tipo Pèpel
Estilos Individuais a partir de $24.00 USD
Família completa com 58 fontes: $99.00 USD
A família de fontes Ponent foi desenhada por Josep Patau e publicada pela Tipo Pèpel. Ponent contém 58 estilos e opções de pacote familiar.

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Sobre a família


Born from a bold geometric structure with confident slab serifs—whose slant and height adapt to your needs—Ponent is a true chameleon typeface made to shine in long texts. From pure slab to elegant Roman lapidary to daring inverted Italian, Ponent effortlessly transforms, becoming a reliable workhorse for everyday design. And that’s not all: discover a playful set of dynamic styles that unlock thousands of possibilities for stunning decorative borders—an Easter egg that will spark your creativity and make you smile.

Designers: Josep Patau

Publicador: Tipo Pèpel

Fundidoras: Tipo Pèpel

Proprietário do design: Tipo Pèpel

Estreia na MyFonts: Sep 22, 2025

Ponent

Sobre Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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