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ReRun Stencil

por Wing's Art Studio
Estilos Individuais a partir de $10.00 USD
Família completa com 4 fontes: $28.00 USD
A família de fontes ReRun Stencil foi desenhada por Christopher King e publicada pela Wing's Art Studio. ReRun Stencil contém 4 estilos e opções de pacote familiar.

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Sobre a família


A hand-drawn stencil font for video games and film titles with a grungy urban design.


This all-caps display font offers a simple way to replicate the look of hand-drawn or sprayed on stencil lettering. An industrial style that's used for it's quick real-world applications found on everything from roadworks, storage containers and military vehicles; with an urban visual language uniquely suited to video games, film titles and album covers. See above for more usage ideas.


This font family includes uppercase-only characters, plus all punctuation, numerals and language support.


Contents:


ReRun includes 4 styles:


- Rough

- Clean

- Outline

- Light


Recreate the textured look in these visuals using our infinite textures for Adobe Illustrator. Available to download from our website.

Designers: Christopher King

Publicador: Wing's Art Studio

Fundidoras: Wing's Art Studio

Proprietário do design: Wing's Art Studio

Estreia na MyFonts: Feb 17, 2021

ReRun Stencil

Sobre Wing's Art Studio

Christopher King (aka Wingsart Studio) is a Graphic Designer specialising in hand-drawn lettering for film and television titles. From blockbuster films to indie press, Wingsart Studio fonts have appeared on screens big and small around the globe. His work has been used by companies including Disney, Marvel, Apple, Netflix and Paramount Studios.The Wingsart Studio philosophy is to embrace the imperfections inherent with real pens, pencils, paper and brush. In counter-balance to an AI driven age, these fonts remain refreshingly analogue and proud of their human touch. Before a single letter turns into a digital product, countless hours are spent researching and sketching out ideas in pursuit of those perfect lines and shapes.

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