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Superscience

por Storm Type Foundry
Estilos Individuais a partir de $39.00 USD
Família completa com 98 fontes: $489.00 USD
A família de fontes Superscience foi desenhada por František Štorm e publicada pela Storm Type Foundry. Superscience contém 98 estilos e opções de pacote familiar.

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Superscience Complete Family

98 fontes

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Por Estilo:

$4.98 USD

Pacote de 98 estilos:

$489.00 USD

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Sobre a família


A font drawn in a rounded rectangle looks modern – if we do not mind that it was in vogue mainly in the 80s of the last century and was created in the fifties, when various Italian designers noticed that the outline of a glass TV screen is actually the letter “o“. Since then, this progressive idea has undergone many improvements, which can be summarized in the notion of “popular-scientific typographic revival”. The present incarnation called “Superscience” has the advantage of having extreme variations and nicely simplified letters, as well as the usual repertoire of OTF functions and playful variations.

Designers: František Štorm

Publicador: Storm Type Foundry

Fundidoras: Storm Type Foundry

Proprietário do design: Storm Type Foundry

Estreia na MyFonts: Apr 29, 2022

Superscience

Sobre Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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