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MoreLeaves™

por Ingrimayne Type
Estilos Individuais a partir de $14.95 USD
Família completa com 4 fontes: $19.95 USD
A família de fontes MoreLeaves foi desenhada por Robert Schenk e publicada pela Ingrimayne Type. MoreLeaves contém 4 estilos e opções de pacote familiar.

Saiba mais sobre esta família

More Leaves Family

4 fontes

Melhor Valor!

Por Estilo:

$4.98 USD

Pacote de 4 estilos:

$19.95 USD

Sobre a família


In 1990 I designed the font XLeafMeAlone. In 2006 I decided that it was time to improve it. Instead of adding to it, I created two new fonts containing almost 200 leaves: MapleOaks and More Leaves. Among the leaves you will find in MoreLeaves are elm, cottonwood, tulip tree, ash, hickory, locust, ginko, aspen, sassafras, hawthorn, beech, and birch. There are also a few that come from shrubs and I am not sure what they are, but they looked interesting so I put them in. You will not find oaks, maples, or sycamores--they are in MapleOaks. Why leaves? Because people like them. As a large part of the biological world that is all around us, leaves are fascinating in their shapes and endless variations. In XLeafMeAlone I took about 50 shapes and rotated them 180 degrees to give a typeface with approximately 100 glyphs. In each of these two typefaces, MoreLeaves and MapleOaks, there are almost 100 glyphs. Each of those glyphs is rotated in 90-degree increments to yield two families of four typefaces that should be very useful if one wants to create borders of leaves.

Designers: Robert Schenk

Publicador: Ingrimayne Type

Fundidoras: Ingrimayne Type

Proprietário do design: Ingrimayne Type

Estreia na MyFonts: Jan 30, 2006

MoreLeaves™ is a trademark of Ingrimayne Type.

Sobre Ingrimayne Type

IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.

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