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Subscripciones

Absolut Pro

por Ingo
Estilos individuales desde $42.00 USD
Familia completa de 167 fuentes: $360.00 USD
Absolut Pro Font Poster 1 Absolut Pro Font Poster 2 Absolut Pro Font Poster 3 Absolut Pro Font Poster 4 Absolut Pro Font Poster 5 Absolut Pro Font Poster 6 Absolut Pro Font Poster 7 Absolut Pro Font Poster 8 Absolut Pro Font Poster 9 Absolut Pro Font Poster 10
La familia tipográfica Absolut Pro fue diseñada por Ingo Zimmermann y publicada por Ingo. Absolut Pro contiene 167 estilos y opciones de paquete familiar.

Más información sobre esta familia

Absolut Pro Complete Family

 167 fuentes

¡Mejor Precio!

Por Estilo:

$2.15 USD

Paquete de 167 estilos:

$360.00 USD

Comprar
Véase 157 más Ver menos

Normal (upright & italics) only

 45 fuentes

Por Estilo:

$4.44 USD

Paquete de 45 estilos:

$200.00 USD

Comprar
Véase 35 más Ver menos

Absolut Expanded (upright & italics) only

 45 fuentes

Por Estilo:

$2.22 USD

Paquete de 45 estilos:

$100.00 USD

Comprar
Véase 35 más Ver menos

Absolut Condensed (upright & italics) only

 40 fuentes

Por Estilo:

$2.25 USD

Paquete de 40 estilos:

$90.00 USD

Comprar
Véase 30 más Ver menos

Absolut UltraCondensed (upright & italics) only

 35 fuentes

Por Estilo:

$2.28 USD

Paquete de 35 estilos:

$80.00 USD

Comprar
Véase 25 más Ver menos
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Opciones de licencia

Sobre la familia

The Absolut Pro is the modern typeface for the 3rd millenium. Reduced to the essentials — pure typeface: modern, uncompromising, prosaic, aesthetical.

A superfamily with countless variants available as a variable font. (The variable font files are included with the complete font package only.)


The character styles have removed themselves as far as possible from the original written form – and it's high time the type in our font keeps up with the changing cultural situations… »Absolut« is a modern sans serif without compromise.

For example, n in »Absolut« is formed with just one stroke whereas in typefaces developed from writing, two strokes are united to form one character. »Absolut« does without such "complications." The break with tradition is stretched even further: The character styles have been changed, especially noticeable on t, but r and f require a double take, too. We are already accustomed to these styles in advertising. But here's what's new: a text type which dares to take this pioneer step into the modern age.

The forms of »Absolut« are unconditionally modern. The characters have been reduced down to the basic idea of the letters. The historical burden surrounding type has been discarded. Gentle bowls on the stroke ends and on some inclinations make the sentence structure more attractive so that »Absolut« is also suitable for text type.


Additional functions can be activated and deactivated as OpenType-Features:

  • Stylistic Alternates: replaces the letters a, g, u in each case with the alternative variant.
  • Ligatures: replaces the letter pairs ch, ck, ff, fi, fl, ff, fj, ft, th, tt, tz, ffi, ffl with the respective letter combination.
  • Tabular Numbers: replaces the normal numbers by means of tabular numbers with identical sign width.
  • Fractions: replaces the glyph combinations 1/2, 1/3, 1/4 etc by the according fractions.
  • Historical Forms: replaces s with ”long s“ and SS i.e., SZ with capital-ß.
  • Slashed Zero: replaces the numeral 0 by the slashed variant
  • Stylistic Set 1: replaces the »round« form of a by the »two storied« alternate form.
  • Stylistic Set 2: replaces the »round« form of g by the »two storied« alternate form.
  • Stylistic Set 3: replaces the »round« form of u by the »broken« alternate form.
  • Stylistic Set 4: replaces the standard numerals [1—20] by circled numbers.
  • Stylistic Set 5: replaces the standard numerals [1—20] by negative circled numbers.


Diseñadores: Ingo Zimmermann

Editorial: Ingo

Fundición: Ingo

Propietario del diseño: Ingo

MyFonts debut: Apr 16, 2020

Absolut Pro

Acerca de Ingo

Founded in 1994, ingoFonts provides the fonts designed and crafted by me, Ingo Zimmermann. I am a type design professional located in Augsburg, Germany, and working in corporate and editorial design. My very first fonts were stencils which I cut out of paperboard and used in graffiti. During my studies I began to publish my fonts under the label ingoFonts, and of all it started with a blackletter: ”Faber Fraktur.“ By now my designs include fonts of all styles, from classical to modern, script fonts, revivals of historic typefaces, Romans, sans serifs, decorative fonts, including fonts like ”Biró Script“, ”Absolut“ or ”Maier's Nr.8“, which seem to be growing quite popular since they've been published.

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