Ir directamente al contenido
Ir al contenido principal

Antipol

por phospho
Estilos individuales desde $30.00 USD
Familia completa de 30 fuentes: $159.00 USD
La familia tipográfica Antipol fue diseñada por Roland Hörmann y publicada por phospho. Antipol contiene 30 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners. This particular weight is meant for display settings, think full-page magazine titles or posters. Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Type Specimen: http://bit.ly/2mxRCcA

Diseñadores: Roland Hörmann

Editorial: phospho

Fundición: phospho

Propietario del diseño: phospho

MyFonts debut: Jun 19, 2018

Antipol

Acerca de phospho

Located in a central district of Vienna, Austria, Roland Hörmann runs phospho; a studio that specializes in both graphic and type design. “I am always excited about graphic design jobs where I can bring in my lettering skills as a type designer,” Roland says. “My fascination for type undoubtedly came from my father’s Letraset catalogues, which I loved tracing letters in as a kid.” In the early Nineties, long before he had decided to study graphic design, Roland began to dabble in type design and created a handful of experimental pixel fonts on the Commodore 64. It wasn’t until 2007, though, that he made his first serious attempts at type design, and in the following year, he published his first typeface, Adhesive Nr. Seven. Since then, he’s seen great success with standout designs like Luxus Brut, a timeless design that breathes the spirit of hand lettered signage of the 1950’s, and Gloss Drop, a wild, hand-lettered typeface that pulses with the spontaneous vibrancy of brush lettering. Roland works alongside Felix Auer, an associated designer who had a hand in creating phospho’s all-caps, display font Aquus. The secret to Roland Hörmann’s success may be his passion project Stadtschrift: an association for the collection, preservation and documentation of historic façade signs. “We save unique signs from being scrapped and put them on display in the public again. So there is a big love for ancient shop signage and their typefaces, and the inspiration I draw from the heritage of the city makes phospho a heartfelt Viennese foundry.”

Seguir leyendo

Leer menos