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Ascetica Rounded

por Fabio Ares
Estilos individuales desde $9.00 USD
Familia completa de 9 fuentes: $50.00 USD
La familia tipográfica Ascetica Rounded fue diseñada por Fabio Ares y publicada por Fabio Ares. Ascetica Rounded contiene 9 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Ascética Rounded is a font family with a geometric sans serif style, developed by professor Fabio Ares and the Typography Chair of National University of La Plata, Argentina, especially in commemoration of 60 years of design careers at the Faculty of Arts. Ornaments: Octavio Osores, Gastón Lugano, Walter Chaves & María Laura Motta.

Its morphology is based on the formal proposals of Concrete Invention Art and the Ulm School, closely linked to the ideas that led to the creation and evolution of these careers.

The incorporation of ink traps suggests the idea of three-dimensionality and suggestively recall the impossible figures of Maurits Escher.

It currently has 8 variables, four of tone and four of inclination. It is also accompanied by a set of ornaments with a concrete air that can be used as an icon or grouped to compose borders and/or boxes. Among its forms you can find works by Max Bill and Tomás Maldonado, and other artists.

Diseñadores: Fabio Ares

Editorial: Fabio Ares

Fundición: Fabio Ares

Propietario del diseño: Fabio Ares

MyFonts debut: Jun 24, 2025

Ascetica Rounded

Acerca de Fabio Ares

Designer based in City Bell (Province of Buenos Aires, Argentina). Professor of the Typography Chair of the Faculty of Arts of the National University of La Plata and lecturer. His fonts are based on his historical research on printing and typographic uses in Argentina and used by organizations linked to heritage. Co-founder of the Historical Railway Typography project, he designs fonts based on the signs used by Argentine railways since 1857.The main objective of the works included in this foundry is that they transcend borders and be used in other latitudes as a way to vindicate Argentine visual culture. What is collected through the commercialization of the typefaces destined to finance the investigations.

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