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Aukim II

por AukimVisuel
Estilos individuales desde $29.00 USD $20.30 USD
30% Off
Familia completa de 234 fuentes: $540.00 USD $378.00 USD
La familia tipográfica Aukim II fue diseñada por Audry Makelele y publicada por AukimVisuel. Aukim II contiene 234 estilos y opciones de paquete familiar. Más información sobre esta familia

Aukim II Complete Family

234 fuentes

¡Mejor Precio!

Por Estilo:

$2.30 USD $1.62 USD

Paquete de 234 estilos:

$540.00 USD $378.00 USD

Véase 224 más Ver menos

Sobre la familia


The modern sans serif typeface family Aukim II was designed to meet professional requirements for legibility, consistency, and stylistic flexibility. Its neutral yet distinctive design combines geometric and humanist influences to suit both headlines and body text in branding projects, interfaces, and print publications. It offers extensive language coverage: the font supports Latin (basic, additional, extended, advanced, and IPA extensions), Cyrillic (basic, extended, and historic), and Greek (basic). With 2,401 glyphs, it includes numbers, punctuation, diacritics, currency symbols, and stylistic variants necessary for multilingual and specialized projects. The family offers several optical widths (Compressed, Condensed, Narrow, Normal, Wide, and Expanded) allowing the typography to be adapted to layout, space, and visual hierarchy constraints. It is also available in three distinct angles: Normal, Italic, and Slanted, offering designers an expressive palette for prioritizing text, introducing dynamism, or reinforcing visual identity. Typographically, it incorporates 44 OpenType features: contextual and discretionary ligatures, stylistic alternates, swashes, small caps, tabulars, fractions, superscripts/subscripts, case-sensitive forms, localized forms, and professional kerning. These tools offer precise control over rendering and enable neat compositions, whether in print or digital. Technically, the font features careful kerning and optimized hinting for consistent rendering at all sizes. It is designed for multi-platform integration and is suitable for environments that require performance and compatibility. In practice, Aukim II is aimed at design studios, branding agencies, publishers, and product teams. It is ideal for visual identities, multilingual user interfaces, editorial publications, and signage. Its range of widths, three angles, and OpenType features make it a versatile tool for professional projects that require consistency, expressiveness, and technical robustness.

Diseñadores: Audry Makelele

Fundición: AukimVisuel

MyFonts debut: Feb 11, 2026

Aukim II

Acerca de AukimVisuel

Aukimvisuel, in existence since 2017, is a celebration of typographic design in all its glory. Since its inception, it has established itself as a benchmark for designers and creators looking for unique, elegant and functional typefaces.With an approach that combines innovation and respect for typographic traditions, your foundry is committed to meeting the demands of modern users, while enhancing the artistic and historical heritage of typography. Each font is meticulously designed, taking into account specific needs for digital and print applications, guaranteeing striking visual results.Your passion for detail is evident in the perfect harmony between the shapes, spacing and proportions of your typefaces. This reflects your commitment to providing typographic solutions that enhance the impact of creative projects, whether for branding, publishing or visual communications.Your foundry is much more than just a design studio; it embodies a philosophy that values excellence, creativity and the emotional connection between typography and its user. By focusing on a constant quest for improvement and a deep understanding of the needs of design professionals, it aspires to leave a lasting mark on the world of typography.Aukimvisuel reflects a deep commitment to the art and science of typography. Specializing in the creation of refined, operational fonts, it combines innovation and tradition. Inspired by the needs of modern designers and the classic roots of typographic design.

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