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Blackbow

por MKGD
Estilos individuales desde $13.75 USD
La familia tipográfica Blackbow fue diseñada por Michael Kovacevich y publicada por MKGD. Blackbow contiene 1 estilos.

Más información sobre esta familia

Sobre la familia


Blackbow is a font that takes its inspiration from three enticing subjects. Firstly, it’s sheer, lace-like construction captures the allure of lingerie. Secondly, it possesses and projects the sometimes dour but always POEtic trappings of Goth culture. And lastly, it conveys the stylish, provocative accoutrements of Steampunk. When blended together, Blackbow is a font that suggests the rapture of dark temptation in the sultriest of ways.


Blackbow has a glyph count of 389 and supports the following languages


Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Diseñadores: Michael Kovacevich

Editorial: MKGD

Fundición: MKGD

Propietario del diseño: MKGD

MyFonts debut: Sep 4, 2021

Blackbow

Acerca de MKGD

My name is Michael Kovacevich and I run MKGD Font Foundry. I’ve been a professional graphic designer for the better part of three decades. I’ve freelanced, worked in various studios, and in the art departments of garment industries. During that time I, like most designers, have dealt with type on a daily basis. I’ve set, kerned, tracked, bastardized and hand lettered type of all kinds over those many years. These days however, I’ve decided to bring my experience to bear on the designing of typefaces. I like to think of it as distilling my years of experience into something that anyone with a creative interest could utilize. During the course of my efforts, I hope people will find my work as interesting for them to use, as it is for me to produce.

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