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De Fonte Plus

por Ingo
Estilos individuales desde $39.00 USD
Familia completa de 4 fuentes: $67.00 USD
La familia tipográfica De Fonte Plus fue diseñada por Ingo Zimmermann y publicada por Ingo. De Fonte Plus contiene 4 estilos y opciones de paquete familiar.

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A variation of ”Helvetica according to the blur principle.“


The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure.


The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness.


On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible.


The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Diseñadores: Ingo Zimmermann

Editorial: Ingo

Fundición: Ingo

Propietario del diseño: Ingo

MyFonts debut: Apr 18, 2020

De Fonte Plus

Acerca de Ingo

Founded in 1994, ingoFonts provides the fonts designed and crafted by me, Ingo Zimmermann. I am a type design professional located in Augsburg, Germany, and working in corporate and editorial design. My very first fonts were stencils which I cut out of paperboard and used in graffiti. During my studies I began to publish my fonts under the label ingoFonts, and of all it started with a blackletter: ”Faber Fraktur.“ By now my designs include fonts of all styles, from classical to modern, script fonts, revivals of historic typefaces, Romans, sans serifs, decorative fonts, including fonts like ”Biró Script“, ”Absolut“ or ”Maier's Nr.8“, which seem to be growing quite popular since they've been published.

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