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Enagol Math

por deFharo
Estilos individuales desde $12.00 USD
Familia completa de 8 fuentes: $80.00 USD
La familia tipográfica Enagol Math fue diseñada por Fernando Haro y publicada por deFharo. Enagol Math contiene 8 estilos y opciones de paquete familiar. Más información sobre esta familia

Sobre la familia


The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

Diseñadores: Fernando Haro

Fundición: deFharo

MyFonts debut: Jul 18, 2018

Enagol Math

Acerca de deFharo

deFharo is the independent type foundry of Spanish graphic and type designer Fernando Haro. With more than 30 years of experience in graphic and advertising design and over a decade devoted to typeface design, Fernando Haro has developed an eclectic body of work that ranges from editorial and corporate typefaces to expressive display, geometric, technological, retro and experimental designs. His approach combines visual character with typographic functionality. Every typeface begins with drawing, proportion and a clear visual idea, and evolves through meticulous work on spacing, metrics, kerning, optical corrections and OpenType features. Rather than following a single recognizable style, deFharo explores different typographic territories according to the personality and purpose of each project. Some families are designed for long-form reading and editorial systems; others are built for branding, headlines, packaging, signage or highly expressive graphic compositions. A strong interest in vector drawing, typographic systems and functional design runs throughout the collection. Alternative characters, small caps, Petite Caps, fractions, numerals, ligatures, symbols and extended language support are frequently developed as integral parts of the typeface rather than as afterthoughts. The result is a growing collection of typefaces designed to be both distinctive and useful — fonts with personality, but also with the technical precision required for professional graphic and editorial work. deFharo typefaces are designed by Fernando Haro and published independently from Spain.

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