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Fragua Pro

por deFharo
Estilos individuales desde $14.00 USD
Familia completa de 15 fuentes: $176.00 USD
La familia tipográfica Fragua Pro fue diseñada por Fernando Haro y publicada por deFharo. Fragua Pro contiene 14 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Fragua Pro is a family of 14 fonts (Latin Extended-A and the Cyrillic alphabet) Condensed Sans Serif of geometric construction inspired by the Russian constructivism of the mid-20th century; the typography has a rounded finish in all corners to avoid the coldness of the rectilinear fonts and providing warmth and docility, the ascending and descending short and a high height of the x make it very compact, all this results in a unique typeface with maximum readability due to the careful configuration of metrics and Kerning. The cursive styles have an inclination of 8 degrees and a narrower proportion than the regular ones, they also have their own letters and meticulous optical corrections to compensate for the deformations produced by the inclination. Fragua Sans has Advanced Open Type functions, several alternative letters, full support for numbers, monetary symbols and crypto currencies and more. 681 glyphs. This typography is specially designed for advertising and editorial composition, behaving correctly in both short and medium texts and headlines where horizontal space saving is needed, being an ideal typographic system for signage, editorial or corporate design. This typography is dedicated to the memory of my grandfather C·ndido (Pa), the blacksmith of my town. THE COMPLETE 14 FONTS PACKAGE INCLUDES THE REGULAR VERSION IN "VARIABLE FONT" FORMAT, compatible with Adobe CC 2018.

Diseñadores: Fernando Haro

Editorial: deFharo

Fundición: deFharo

Propietario del diseño: deFharo

MyFonts debut: Nov 15, 2018

Fragua Pro

Acerca de deFharo

My name is Fernando Haro, I am a freelance graphic designer and I live in Spain.I always liked the purity and expressiveness of vector design, unintentionally discovering typographic design made me find a passion.In the way I learn, I have developed different font styles, so my work is eclectic.Technically I am very interested in relating mathematical sequences with proportions, metrics and kerning and minimalism in vector drawing drives me.

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