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FTY SKRADJHUWN

por The Fontry
Licencias desde $25.00 USD
Familia completa de 7 fuentes: $25.00 USD
La familia tipográfica FTY SKRADJHUWN fue diseñada por Michael Gene Adkins y publicada por The Fontry. FTY SKRADJHUWN contiene 7 estilos y opciones de paquete familiar.

Más información sobre esta familia

FTY SKRADJHUWN

7 fuentes

¡Mejor Precio!

  • FTY SKRADJHUWN

  • FTY SKRADJHUWN 001

  • FTY SKRADJHUWN 002

  • FTY SKRADJHUWN 002

  • FTY SKRADJHUWN 003

  • FTY SKRADJHUWN 004

  • FTY SKRADJHUWN 004

Por Estilo:

$3.57 USD

Paquete de 7 estilos:

$25.00 USD

Sobre la familia


SKRADJHUWN is a font that refuses to be classified. It bounces casually along its baseline with the weight of a display face, showing off hints of fun serifs and curvey strokes. Yet it's visually strong and a great reader, and it's also a family of five faces. The subtle variety of weights allows the user to pick just the right amount of heavy or light for maximum visibility at any size. SKRADJHUWN, in base-form, will work just about anywhere you want to use it. Except maybe those very small point sizes that tend to chew a regular font to pieces. For those delicate moments, drop down to the thinner strokes of SKRADJHUWN 001 and 002. From there, with the 003 and 004 option, the strokes increase dramatically, allowing the user to avoid those pixelated defects that arise when letter size starts to clash with the final viewing size. SKRADJHUWN is more than just a fun face. This family has the right stance and weights to serve multiple design needs. And it doesn't hurt that OpenType replacement features come standard, along with extended Central European language support. SKRADJHUWN even includes some nice character options for our German-speaking customers--the uppercase Eszett and an alternative to the standard lowercase eszett.

Diseñadores: Michael Gene Adkins

Editorial: The Fontry

Fundición: The Fontry

Propietario del diseño: The Fontry

MyFonts debut: Jul 16, 2013

FTY SKRADJHUWN

Acerca de The Fontry

When foundry's were making steel and fonts were but a molten dream ... well, we don't go that far back! But that's how we came up with the name for The Fontry. Spun into existence in 1992 by James L. Stirling and Michael Gene Adkins, The Fontry owes its origins to lots and lots of years working around screenprint shops and the signmaking business, influences that translate clearly into our font designs. It stands to reason then that many of our typographic efforts reflect the needs of those industries. Not ones to wimp around with frilly type, many of our fonts exude the strength you've come to expect from any font that dares to call itself a display face. No typesetting lots of tiny text with any of our fonts! And our inspiration covers the gamut, from full-on customs to period revivals. But no matter the origins, we pride ourselves on taking care of the details, from the nudge-fussiest node positioning to the single-digit kerning adjustments. Every Fontry font has over 40 hours of work in it, and we like to think it shows. At least we hope it shows--really! So for fonts that really fill the space, we're the foundry guys you wanna try!

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