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Globet Caps

por deFharo
Estilos individuales desde $12.00 USD
Familia completa de 4 fuentes: $36.00 USD
La familia tipográfica Globet Caps fue diseñada por Fernando Haro y publicada por deFharo. Globet Caps contiene 4 estilos y opciones de paquete familiar. Más información sobre esta familia

Sobre la familia


Visual Strength with Warmth A typeface where gentle geometry and the strength of capital letters merge to create an impeccable visual impact. Designed as an All Caps variant of Globet Round, this family retains its refined DNA: a rounded, geometric sans serif with square proportions, composed exclusively of capital letters. The result is a font with a powerful, versatile, and surprisingly warm personality. Capitals That Speak with Charisma The rounded shapes of Globet Caps soften the rigidity of its square structure, generating a typographic voice that conveys professionalism, closeness, and modernity. They are clear without being cold, powerful without being aggressive. Its unique capital letter design gives it a distinctive character and a strong presence, ideal for headlines and elements that need to stand out visually. I've included three capital letter variants (Capitals, Small Caps, and Petite Caps). These allow for the creation of subtle typographic hierarchies, enriching editorial and graphic design. With an architecture based on geometric modules, Globet Caps features four carefully tuned weights to offer maximum versatility for any project. This allows the typeface to be adapted to various design needs, from subtle text to a message with great visual impact. Light: Sophisticated delicacy, ideal for thin or secondary text. Regular: Balanced versatility for body text and logos. Bold: Sure impact, perfect for posters and strong brands. Extra Bold: Maximum presence, ideal for packaging, signage, and bold branding.

Diseñadores: Fernando Haro

Fundición: deFharo

MyFonts debut: Oct 28, 2025

Globet Caps

Acerca de deFharo

My name is Fernando Haro, I am a freelance graphic designer and I live in Spain.I always liked the purity and expressiveness of vector design, unintentionally discovering typographic design made me find a passion.In the way I learn, I have developed different font styles, so my work is eclectic.Technically I am very interested in relating mathematical sequences with proportions, metrics and kerning and minimalism in vector drawing drives me.

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