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Immanent

por Paulo Goode
Estilos individuales desde $36.00 USD
Familia completa de 36 fuentes: $360.00 USD
La familia tipográfica Immanent fue diseñada por Paulo Goode y publicada por Paulo Goode. Immanent contiene 36 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Immanent is an elegant humanist sans typeface designed to perfectly complement Eschaton. This 36-font type family has a purposeful, contemporary stance that excels on screen and in print by way of its three optical sizes.

Immanent’s elegantly clean and simple forms allow your text, your headlines, your message to stand proud and be heard – finding a moment of clarity in today’s world of continual visual bombardment. Immanent’s DNA is shared with Eschaton, making them an impressive font pairing that can tackle a multitude of typographic challenges.

Immanent is a refined display typeface in its standard form, the full family includes Text (lower contrast with ample spacing) and Xtra (higher contrast with tight spacing) optical sizes to cater for further typographic demands. Weights range from light to black in both roman and italic styles. The default figure type is set to old-style, however, proportional figures are just a click away if you prefer. Immanent has an extensive character set that covers all Latin European languages.

See full details and hi-res examples at https://paulogoode.com/immanent

KEY FEATURES

• Six Weights

• Roman & Italic

• Three Optical Sizes

• 450+ Glyphs

Diseñadores: Paulo Goode

Editorial: Paulo Goode

Fundición: Paulo Goode

Propietario del diseño: Paulo Goode

MyFonts debut: Jan 15, 2025

Immanent

Acerca de Paulo Goode

As a child I was fascinated by the multitude of letterforms that surround us, I would spend hours drawing words (and cars) in my sketchbooks. I don’t know what happened to those sketches, but I certainly never made it as an automobile designer! Maybe there’s a chance my fonts will prove more successful? As I grew up, I developed my artistic skills and became a technical illustrator and moved into graphic design with the advent of the Macintosh computer. At the age of 45 I rekindled my interest in typeface design and am thoroughly enjoying the process of font creation and producing some interesting typefaces of distinction. I'm still fascinated by the multitude of letterforms that surround us — and am very happy to be contributing my own.The Premium foundry page can be viewed Here.

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