Le Monde® Journal Std
por Typofonderie
- Aa Glifos
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¡Mejor PrecioPaquetes de familia
- Estilos individuales
- Especificaciones técnicas
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Por Estilo:
$71.50 USD
Paquete de 4 estilos:
$286.00 USD
Sobre la familia
A highly legible typeface in 4 series
Le Monde Journal by definition is intended for newspaper use & at small sizes. It’s an economical and workshorse typeface adapted to any extrem condition of uses. Even though it has the same colour as Times, it appears more open. The reading flow has been made more fluent & less abrupt. The glyphs counters are bigger, as if they were “alluminating the interior.” The form, characterized by its serifs, remains embedded in our visual memory. Intermediate weights like Book can be considered as a grade supplement of the Regular. Italics accompany Le Monde Journal. With a more delicate design & a distinctive rhythm, they remain noticeable when used with the romans. Its companion, Le Monde Sans can extend your typographic palette. For beautiful page layout, use it in conjunction with Le Monde Livre for titling sizes. The verticals metrics and proportions of Le Monde Journal are calibrated to match perfectly others Typofonderie families.
This family was designed in 1994 as bespoke typeface family for the French newspaper Le Monde. The family is not used any more by this newspaper from November 2005.
Bukva:raz 2001
Type Directors Club .44 1998
European Design Awards 1998
Acerca de Typofonderie
We are an independent French type foundry since 1994, we design, manufacture and distribute exclusive typefaces. Meticulously built years after years, our library includes type families suited for every aspect of typographic usage. We are passionate about our work. Each of our published typefaces is the result of years of teamwork at Typofonderie. Typofonderie is digital type foundry who has become over the years, a real institution in France and abroad. Our customers recognise the timelessness of our typefaces, which help them give meaning and strength to their projects, whether they are companies, brands, publications or institutions. Our typefaces can be found in the métro in Paris, as well as in Osaka, at the Opéra de Paris, La Tour d’Argent, Vuitton, Séphora, Galeries Lafayette, Yves Saint Laurent Beauty and are used by the French Olympic team. You will also encounter them in museums, in the Who’s Who, Wired, at Dell, at the Boston Consulting Group, on the jerseys of the French Olympic team and in the Alps thanks to SwissSki. Hillary Clinton and Emmanuel Macron used our typefaces during their presidential campaigns. The palais de l’Élysée uses three of our typefaces families for the identity and communication of the French president.
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