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Lucky Lady

por JVB Fonts
Estilos individuales desde $39.00 USD
La familia tipográfica Lucky Lady fue diseñada por John Vargas Beltrán y publicada por JVB Fonts. Lucky Lady contiene 1 estilos.

Más información sobre esta familia

Sobre la familia


Lucky Lady was inspired by the old, classic art and craft of brush script lettering usually applied in ads of the WWII era and 1940s. The name of the font family refers to one of the most emblematic combat units of the US air force in WWII that were decisive in the victory of the allied forces. Lucky Lady can be mainly used in titles and display texts. It supports East Europe languages. It's highly recommend to use the combined shadow styles under the main regular basic style layer. Lucky Lady includes standard and discretionary ligatures, alternative style for uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

Diseñadores: John Vargas Beltrán

Editorial: JVB Fonts

Fundición: JVB Fonts

Propietario del diseño: JVB Fonts

MyFonts debut: Dec 1, 2016

Lucky Lady

Acerca de JVB Fonts

JVB Fonts is a renowned Colombian type foundry located in Bogotá, established in 2010. The founder, John Vargas Beltrán, embarked on his digital type design journey in Argentina in 1997, making him a trailblazer in Colombia's typography scene. At JVB Fonts, typography is seen as the voice of visual communication, and our extensive catalog showcases a diverse array of typefaces, ranging from ornamental designs to expressive display fonts, each meticulously crafted to make a statement. We are dedicated to authenticity, cultural richness, and superior quality, ensuring our fonts go beyond mere functionality to blend tradition with innovation. Our offerings serve as inspiring resources for designers, empowering them to bring their creative visions to life. Discover the unique voices behind our letters—authentic, expressive, and poised to elevate your designs. Explore JVB Fonts and let your projects resonate with creativity and individuality.

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