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Marzano
por FontMesa






- Aa Glifos
-
¡Mejor PrecioPaquetes de familia
- Estilos individuales
- Especificaciones técnicas
- Licencias
Marzano Uprights and Italics
20 fuentesPor Estilo:
$3.45 USD
Paquete de 20 estilos:
$69.00 USD
Sobre la familia
Marzano is a geometric sans serif font that's ideal for headlines, logos, text and advertising, the name comes from the ever so sweet and wonderful San Marzano plum tomato grown in Italy.
Marzano includes stylistic alternates, small caps, swash caps, case sensitive forms, old style figures, tabular figures, small caps figures, small caps old style figures, small caps question mark and exclamation point.
Since a lot of people today like to type in code using the copyright and trademark symbols in place of a C or R we've decided, the first time to offer two registered trademark symbols, one that's the same size as the copyright symbol and an alternate version that's reduced in size and sits at the caps height.
Marzano Slant is set at 6 degrees and is perfect for when you want the look of an italic but don't have the horizontal space in your page design for a full 12 degree italic.
At FontMesa all of our italic fonts are cleaned up placing all nodes at extremas.
Diseñadores: Michael Hagemann
Editorial: FontMesa
Fundición: FontMesa
Propietario del diseño: FontMesa
MyFonts debut: Feb 14, 2022

Acerca de FontMesa
Founded in 2000 by photographer and type designer Michael Hagemann, FontMesa has specialized in creating type styles of the old west and fonts for sign lettering. Some fonts are classic Italian (Tuscan) and French revivals with new lowercase letters added while others were created from a small sample of letters found on old documents never intended to be a complete font. FontMesa continues to research and find old, long lost type from the 1800s, then revive them into the digital world where they will never be forgotten. With a FontMesa font you can be assured of a quality product; all fonts are drawn and kerned by hand and never created by automatic scanning methods.
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