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Operetta

por Synthview
Estilos individuales desde $34.00 USD
Familia completa de 80 fuentes: $449.00 USD
La familia tipográfica Operetta fue diseñada por Jan Tonellato y publicada por Synthview. Operetta contiene 80 estilos y opciones de paquete familiar.

Más información sobre esta familia

Operetta Complete Family

80 fuentes

¡Mejor Precio!

Por Estilo:

$5.61 USD

Paquete de 80 estilos:

$449.00 USD

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Sobre la familia


Operetta is a neo-didone display font family inspired on Bodoni, Didot (early 18th century) and Walbaum (19th century). Despite of this heritage, Operetta’s design meets contemporary taste and typesetting needs. With five optical sizes, masterfully navigate between contrast and legibility across various dimensions. The range of eight weights, from the weightless Extralight to the robust Extrabold, let you set your tone: from delicate to exuberant.

Operetta's generous character set and opentype features let you meet the most demanding layout needs. And don’t forget swashes, arrows and other extra glyphs, seldom included in a didonesque font.

The number displayed in the font family name signifies the recommended minimal print size in points. In web design you should double the minimum value for a retina screen, multiply by 4 for a 72dpi screen.

Of course its rendering depends on the printing support, screen resolution etc. Therefore, take it as a suggestion or a starting point; make your own trials.

And now, the pièce de résistance: Operetta unveils its italics, adding yet another layer of allure and sophistication.

Diseñadores: Jan Tonellato

Editorial: Synthview

Fundición: Synthview

Propietario del diseño: Synthview

MyFonts debut: Jan 16, 2019

Operetta

Acerca de Synthview

Synthview Type Design is the digital foundry of the Paris-based type designer Jan Tonellato. Our approach focuses on delivering elegant font families rich in styles, wide Latin coverage, stylistic variants, extra characters, and smart OpenType features to fit the most demanding graphic designers' needs with creativity and flexibility. We have also been contributing to the development of the type design application Glyphs since 2010.

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