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Poultry Sign

por Ingrimayne Type
Estilos individuales desde $9.00 USD
Familia completa de 6 fuentes: $14.00 USD
La familia tipográfica Poultry Sign fue diseñada por Robert Schenk y publicada por Ingrimayne Type. Poultry Sign contiene 6 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result.

Poultry Sign has two widths each with three weights giving the family six styles. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys, and to make this effect easy, included in the font is a contextual alternatives (calt) OpenType feature that automatically produces this result if your word processor supports this feature. To get text with all letters with big bottoms or all letters with with big tops, this feature must be turned off.

The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and V.

Diseñadores: Robert Schenk

Editorial: Ingrimayne Type

Fundición: Ingrimayne Type

Propietario del diseño: Ingrimayne Type

MyFonts debut: Mar 6, 2020

Poultry Sign

Acerca de Ingrimayne Type

IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.

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