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Ratyin

por Kavoon
Estilos individuales desde $3.00 USD
Familia completa de 2 fuentes: $15.00 USD
La familia tipográfica Ratyin fue diseñada por Anton Didenko y publicada por Kavoon. Ratyin contiene 2 estilos y opciones de paquete familiar. Más información sobre esta familia

Ratyin Complete Family

2 fuentes

¡Mejor Precio!

Por Estilo:

$7.50 USD

Paquete de 2 estilos:

$15.00 USD

Sobre la familia


Oxygen Script made with a transparent line texture. Suitable for use in title design such as invitations, signboards, book titles, stationery designs, quotes, branding, logos, greeting cards, packaging designs, posters, and more.


Files Include:

  • Punctuation & numbers
  • Splashes
  • Splatters
  • Alternate letters
  • Uppercase letters
  • Multi Language


Supported Languages - French, Spanish, English, Catalan, Galician, Basque, Portuguese, Italian, Albanian, Afrikaans, Dutch, German, Danish, Swedish, Norwegian, Finnish, Faroese, Icelandic, Irish and Scottish.

Diseñadores: Anton Didenko

Fundición: Kavoon

MyFonts debut: Jan 13, 2021

Ratyin

Acerca de Kavoon

My foundry is focused on creating distinctive typefaces with personality, atmosphere and a strong visual voice. I design fonts as more than functional tools: each typeface is built to create a mood, shape an identity and bring character to the projects it becomes part of. The collection explores a wide range of influences, including expressive display typography, handmade forms, editorial elegance, vintage references and historical lettering. I am drawn to typefaces that feel memorable at first sight while remaining practical for real design applications. My process is driven by curiosity and experimentation. I pay close attention to proportions, rhythm, unusual letterforms and the small details that make a font feel individual. The goal is always to find a balance between expression and usability. These typefaces are created for designers working across branding, packaging, hospitality, editorial design, campaigns and visual identities, with a focus on projects where typography is meant to be seen, felt and remembered.

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