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Regards

por Machalski
Estilos individuales desde $39.00 USD
Familia completa de 19 fuentes: $199.00 USD
La familia tipográfica Regards fue diseñada por Mateusz Machalski y publicada por Machalski. Regards contiene 19 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Sometimes typefaces start to mature and develop with us. In 2013, on my return from London, having been hugely impressed by the work of Edward Johnston and Eric Gill, I designed the typeface Picadilly – which was to be a kind of postcard with an afterimage record. Pretty soon some things started to bother me about it, a version appeared, new, Neue, next, 2.0.... Over these 10 years I have often returned to the form of letters we know so well from the London Underground and decided to explore it again. This time the changes have gone so far that even the name has also changed.... Regards is a kind of homage to the aesthetics of the streets of London, in which the works of the greatest masters of typography are interwoven alongside neo-Gothic architecture or Brutalist insets. The whole family has a sharp character with humanistic detail – and is accompanied by a many alternative versions of the each glyph allowing for visual experimentation. Under the creative direction of Mateusz Machalski also participated in the project: Małgorzata Bartosik, Weronika Kanigowska, Borys Kosmynka.

Diseñadores: Mateusz Machalski

Editorial: Machalski

Fundición: Machalski

Propietario del diseño: Machalski

MyFonts debut: Mar 17, 2025

Regards

Acerca de Machalski

Dr hab. Mateusz Machalski, Associate Professor (b. 1989) – Vice-Rector for Artistic Affairs at the Academy of Fine Arts in Warsaw. Designer, typographer, lecturer and researcher specializing in visual communication and graphic design. He graduated with Rector’s Honours from the Faculty of Graphic Arts at the Academy of Fine Arts in Warsaw (2009–2014), where he currently teaches at the Multimedia Artistic Creation Studio. Named Designer of the Year 2019 at the Polish Graphic Awards, he has been repeatedly awarded in national and international competitions, including KTR, Ascender 2018 – Type Directors Club New York, MUSTHAVE, The DieLine, Red Dot Design, The Best of Design 2018 – Klub Twórców Reklamy, and Animator 2020 – DESIGN ALIVE. He is a five-time recipient of the Polish Ministry of Culture’s scholarship, a laureate of the Ministry of Science and Higher Education’s scholarship for outstanding young researchers, and of the “Young Poland” programme by the National Centre for Culture. He was awarded the Centennial of Regained Independence Medal by the President of Poland. He is a curator and member of the programme board of the International Poster Biennale in Warsaw, and Art Director of the magazines newonce paper and Warsawholic. He has created more than 80 typeface families – including numerous corporate and multi-script designs – and over 200 visual identities for companies, institutions and cultural events. His fonts are distributed through platforms such as Google Fonts, Adobe and Monotype, and his clients include leading Polish and global brands. He has led teams digitizing key works of Polish typography, including “Półtawski Nowy”, “BRYGADA 1918” (launched at the Presidential Palace), and carried out the long-term “Bona Nova” project together with Andrzej Heidrich – the designer of Polish banknotes. He co-created Typoteka – the first Polish index of typography (1474–2024). Co-founder of the first Polish type foundry – Capitalics. He is also the author of numerous texts, articles and exhibitions on graphic design and visual culture, as well as the “Creative Typography” course published by Design Practice. He conducts research projects, workshops and lectures at universities and conferences in Poland and abroad.

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