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Sam Suliman

por K-Type
Estilos individuales desde $20.00 USD
Familia completa de 6 fuentes: $20.00 USD
La familia tipográfica Sam Suliman fue diseñada por Keith Bates y publicada por K-Type. Sam Suliman contiene 6 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the value family pack.


The fonts are inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q.


Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.

Diseñadores: Keith Bates

Editorial: K-Type

Fundición: K-Type

Propietario del diseño: K-Type

MyFonts debut: Aug 18, 2020

Sam Suliman

Acerca de K-Type

K-Type is a small, independent type foundry based in Manchester England, offering a unique range of high quality fonts which are modestly and simply priced for designers, small businesses and large organisations.In addition to creating new typefaces resulting from formal experimentation, many K-Type fonts show the influence of inspirational artists and designers, many exploring the mix of insular and eclectic that has forged the typographical landscape of Britain and America.K-Type is also keen to make affordable fonts from styles which possess cultural currency or an existing social presence, generally redrawn to include comprehensive character sets containing a full complement of Latin Extended-A glyphs. New, previously unavailable weights and italics are often designed and added.

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