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Superscience

por Storm Type Foundry
Estilos individuales desde $39.00 USD
Familia completa de 98 fuentes: $489.00 USD
Superscience Font Poster 1 Superscience Font Poster 2 Superscience Font Poster 3 Superscience Font Poster 4 Superscience Font Poster 5 Superscience Font Poster 6 Superscience Font Poster 7 Superscience Font Poster 8 Superscience Font Poster 9 Superscience Font Poster 10 Superscience Font Poster 11 Superscience Font Poster 12 Superscience Font Poster 13 Superscience Font Poster 14 Superscience Font Poster 15
La familia tipográfica Superscience fue diseñada por František Štorm y publicada por Storm Type Foundry. Superscience contiene 98 estilos y opciones de paquete familiar.

Más información sobre esta familia

Superscience Complete Family

 98 fuentes

¡Mejor Precio!

Por Estilo:

$4.98 USD

Paquete de 98 estilos:

$489.00 USD

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Sobre la familia

A font drawn in a rounded rectangle looks modern – if we do not mind that it was in vogue mainly in the 80s of the last century and was created in the fifties, when various Italian designers noticed that the outline of a glass TV screen is actually the letter “o“. Since then, this progressive idea has undergone many improvements, which can be summarized in the notion of “popular-scientific typographic revival”. The present incarnation called “Superscience” has the advantage of having extreme variations and nicely simplified letters, as well as the usual repertoire of OTF functions and playful variations.

Diseñadores: František Štorm

Editorial: Storm Type Foundry

Fundición: Storm Type Foundry

Propietario del diseño: Storm Type Foundry

MyFonts debut: Apr 29, 2022

Superscience

Acerca de Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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