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Trapezoidal

por Ingrimayne Type
Estilos individuales desde $9.00 USD
Familia completa de 10 fuentes: $24.00 USD
La familia tipográfica Trapezoidal fue diseñada por Robert Schenk y publicada por Ingrimayne Type. Trapezoidal contiene 10 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


The letters of Trapezoidal are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of Trapezoidal look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.)

The family has five weights and each weight has an italics formed by flipping the trapezoidal pattern over a vertical line. Like other alternating-character typeface families from IngrimayneType, this distinctive and visually-arresting family can be used for titles or advertising. (For another but very different typeface based on alternating trapezoids, see PoultrySign.)

Diseñadores: Robert Schenk

Editorial: Ingrimayne Type

Fundición: Ingrimayne Type

Propietario del diseño: Ingrimayne Type

MyFonts debut: Nov 1, 2021

Trapezoidal

Acerca de Ingrimayne Type

IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.

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