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1589 Humane Bordeaux

por GLC
Estilos individuales desde $38.00 USD
Familia completa de 2 fuentes: $60.00 USD
La familia tipográfica 1589 Humane Bordeaux fue diseñada por y publicada por GLC. 1589 Humane Bordeaux contiene 2 estilos y opciones de paquete familiar.

Más información sobre esta familia

1589 Humane Bordeaux Family

2 fuentes

¡Mejor Precio!

Por Estilo:

$30.00 USD

Paquete de 2 estilos:

$60.00 USD

Sobre la familia


This family was created inspired from the Garamond patern set of fonts used by S. Millanges "imprimeur ordinaire du Roy", in Bordeaux, circa 1580-1590. Especially for reprint L'instruction des curés (Instructions to parish priests), from Jean Gerson. The set contains two styles, Normal and Italic, the second one with a lot of caps and ligatures variants. The initials, except a few decorated letters (six in total) where only large caps, covering no more than three lines. Added are a few fleurons. It can be used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very elegant and legible font... This font supports strong enlargements as easily as small size (legible from 6 points when printed) remaining very smart and fine. Its original cap height is about five millimeters. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian, can be used with this family without anachronism.

Diseñadores:

Editorial: GLC

Fundición: GLC

Propietario del diseño: GLC

MyFonts debut: Sep 17, 2008

1589 Humane Bordeaux

Acerca de GLC

Gilles Le Corre was born in 1950 in Nantes, France. Painter since the end of 70s, he is also an engraver and calligrapher. He has been learning about medieval art and old books for as long as he can remember. More recently he has made the computer a tool for writing like the quill pen and ink. With it, he aims to make it possible to print books that look just like old ones! Beginning in 2007 he has been trying to reproduce, very exactly, a wide range of historic European typefaces, mainly from medieval and early periods of printing - his favorite period - from 1456 with Gutenberg, up to 1913 with a font inspired by a real old typewriter.

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