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FF Signa™ Correspondence

par FontFont
Styles individuels à partir de $68.99 USD
Famille complète de 4 polices: $135.99 USD
La famille de polices FF Signa Correspondence a été conçue par Ole Berntsen Søndergaard et publiée par FontFont. FF Signa Correspondence contient 4 styles et options de package familial.

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À propos de la famille


Danish type designer Ole Søndergaard created this sans FontFont in 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding and creative industries and small text. FF Signa Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Serif, FF Signa Serif Stencil, and FF Signa Stencil.

Concepteurs: Ole Berntsen Søndergaard

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Nov 30, 2011

FF Signa™ Correspondence is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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