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FF Unit® Rounded

par FontFont
Styles individuels à partir de $83.99 USD
Famille complète de 12 polices: $692.99 USD
La famille de polices FF Unit Rounded a été conçue par Christian Schwartz, Erik Spiekermann et publiée par FontFont. FF Unit Rounded contient 12 styles et options de package familial.

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À propos de la famille


German type designer Erik Spiekermann and American type designer Christian Schwartz created this display and sans FontFont in 2008. The family has 6 weights, ranging from Light to Ultra and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Unit Rounded provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Slab.

Concepteurs: Christian Schwartz, Erik Spiekermann

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Nov 19, 2008

FF Unit® Rounded is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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