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FF Unit® Slab

par FontFont
Styles individuels à partir de $104.99 USD
Famille complète de 14 polices: $1,007.99 USD
La famille de polices FF Unit Slab a été conçue par Christian Schwartz, Erik Spiekermann, Kris Sowersby et publiée par FontFont. FF Unit Slab contient 14 styles et options de package familial.

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À propos de la famille


German type designer Erik Spiekermann, American type designer Christian Schwartz, and New Zealand type designer Kris Sowersby created this slab FontFont in 2009. The family has 14 weights, ranging from Thin to Ultra (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Unit Slab provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Rounded.

Concepteurs: Christian Schwartz, Erik Spiekermann, Kris Sowersby

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Mar 16, 2010

FF Unit® Slab is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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