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Planos de Assinatura

Caard™

por Wundes
Licenças a partir de $15.00 USD
Família completa com 2 fontes: $15.00 USD
A família de fontes Caard foi desenhada por John B. Wundes e publicada pela Wundes. Caard contém 2 estilos e opções de pacote familiar.

Saiba mais sobre esta família

Caard

 2 fontes

Melhor Valor!

  • Caard

  • Caard Large Numbers

Por Estilo:

$7.50 USD

Pacote de 2 estilos:

$15.00 USD

Opções de compra
Adicionar ao Álbum
Adicionar aos Favoritos

Opções de licenciamento

Sobre a família

The font to use for emulating credit card imprints. Caard emulates the small imprint text found on many credit cards. (Emboss effect not included.) There are two numeric styles on a typical credit card, so there are two versions of this font. Caard includes the small style numbers used for the 'expiration date' text. Caard-Large Numbers includes the large number font used for the main credit card number. Since the only difference between the two is the numeric characters, both fonts are included in the purchase price.

Designers: John B. Wundes

Publicador: Wundes

Fundidoras: Wundes

Proprietário do design: Wundes

Estreia na MyFonts: Nov 27, 2007

Caard™ is a trademark of The Wundes Foundry.

Sobre Wundes

When I say "Wundes foundry" what I mean is 'me'. I am a single designer who's career, (after delivering pizza for a few years) has been made up of layouts for websites, CD covers, and Flash actionscript programming. I did some illustrator scripting for Robbie of the Wilton Foundry, and he told me that if you look at all the work that goes into making a font, you quickly realize that at the prices they are sold for, you're almost giving them away. Being a decent artist and a terrible businessman, I thought, what a great idea, and so here I am. After building my first font, I can say I now understand what he was talking about. Each font, by any designer is, and HAS to have been a labor of love or it would never have been completed. What I look for when creating a font, is a unique way to blend imagery and typography, so the final product becomes a synthesis of symbol and object.

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