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Knedle

por Sudetype
Estilos Individuais a partir de $50.00 USD
Família completa com 14 fontes: $350.00 USD
A família de fontes Knedle foi desenhada por Jiří Toman e publicada pela Sudetype. Knedle contém 14 estilos e opções de pacote familiar.

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A tasteful sans-serif with a delicate italics, ideal for branding and packaging design. Knedle [dumplings] are characterized by carefully balanced proportions and soft stroke endings, which gives the typeface credible yet friendly expression. Italics are not just slanted versions of roman styles, but with their delicate letter shapes and narrower proportions they form a taste-balanced counterpoint. With 14 styles (Latin & Cyrillic) more than 1460 glyphs per font and rich OpenType features (including many stylistic sets) Knedle are perfectly suited for the needs of branding or packaging design. Thanks to their excellent legibility and smart contextual alternates, they can also work surprisingly well as a signage font. Bon appetite!

Designers: Jiří Toman

Publicador: Sudetype

Fundidoras: Sudetype

Proprietário do design: Sudetype

Estreia na MyFonts: Mar 21, 2023

Knedle

Sobre Sudetype

We are a small digital type foundry and a graphic design studio based in North Bohemia. In our projects, we focus on the harmony between semantics of the content and aesthetics of the form. And, it is the power of elementary graphic symbols that has always fascinated us, so it is no surprise that designing our very own letter shapes have become a natural part of our work, from custom letterings to full-fledged and publicly available fonts. As graphic designers, we know how a single glyph change can completely shift the perception of the work. And that’s why you’ll usually find a rich set of OpenType features in our fonts, so you can customize the typography to your liking. Since our native language uses many—often not easy to design—diacritical marks, we also know how important is to pay a great attention to different language specifics. So we do. At Sudetype we believe that patience should be a crucial part of type design. We are deliberately in no hurry to publish our typefaces, many of which have been developed for more than 5 years. Our font library might not impress you by its scale but our goal is to make you happy with every single—even the least used—glyph we produce.

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