Pular para o conteúdo
Pular para o conteúdo principal

FF Milo®

por FontFont
Estilos Individuais a partir de $79.99 USD
Família completa com 18 fontes: $734.99 USD
A família de fontes FF Milo foi desenhada por Paul van der Laan, Michael Abbink e publicada pela FontFont. FF Milo contém 18 estilos e opções de pacote familiar.

Saiba mais sobre esta família

Sobre a família


American type designer Michael Abbink created this sans FontFont between 2006 and 2008. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising, packaging, book text, editorial, publishing, logo, branding, small text as well as wayfinding and signage. FF Milo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Milo received the Letter.2 award. This FontFont is a member of the FF Milo super family, which also includes FF Milo Serif.

Designers: Paul van der Laan, Michael Abbink

Publicador: FontFont

Fundidoras: FontFont

Proprietário do design: FontFont

Estreia na MyFonts: Nov 19, 2008

FF Milo® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Sobre FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

Ler mais

Ler menos