Seleccione este tipo de licencia cuando esté desarrollando una aplicación app para iOS, Android o Windows Phone, y vaya a incrustar el archivo en el código de su aplicación móvil. va a incrustar el archivo fuente en el código de su aplicación móvil.
Caard™
por Wundes
Licencias desde $15.00 USD
Familia completa de 2 fuentes: $15.00 USD
La familia tipográfica Caard
fue diseñada por
John B. Wundes
y publicada por
Wundes. Caard contiene
2
estilos y opciones de paquete familiar.
Más información sobre esta familia
- Aa Glifos
-
¡Mejor PrecioPaquetes de familia
- Estilos individuales
- Especificaciones técnicas
- Licencias
-
Caard -
Caard Large Numbers
Por Estilo:
$7.50 USD
Paquete de 2 estilos:
$15.00 USD
Sobre la familia
The font to use for emulating credit card imprints. Caard emulates the small imprint text found on many credit cards. (Emboss effect not included.) There are two numeric styles on a typical credit card, so there are two versions of this font.
Caard includes the small style numbers used for the 'expiration date' text.
Caard-Large Numbers includes the large number font used for the main credit card number.
Since the only difference between the two is the numeric characters, both fonts are included in the purchase price.
Diseñadores: John B. Wundes
Editorial: Wundes
Fundición: Wundes
Propietario del diseño: Wundes
MyFonts debut: Nov 27, 2007
Caard™
is a trademark of The Wundes Foundry.
Acerca de Wundes
When I say "Wundes foundry" what I mean is 'me'. I am a single designer who's career, (after delivering pizza for a few years) has been made up of layouts for websites, CD covers, and Flash actionscript programming. I did some illustrator scripting for Robbie of the Wilton Foundry, and he told me that if you look at all the work that goes into making a font, you quickly realize that at the prices they are sold for, you're almost giving them away. Being a decent artist and a terrible businessman, I thought, what a great idea, and so here I am. After building my first font, I can say I now understand what he was talking about. Each font, by any designer is, and HAS to have been a labor of love or it would never have been completed. What I look for when creating a font, is a unique way to blend imagery and typography, so the final product becomes a synthesis of symbol and object.
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