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FF Info Display®

por FontFont
Estilos individuales desde $69.99 USD
Familia completa de 6 fuentes: $314.99 USD
La familia tipográfica FF Info Display fue diseñada por Ole Schäfer, Erik Spiekermann y publicada por FontFont. FF Info Display contiene 10 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


German type designers Erik Spiekermann and Ole Schäfer, and German design agency MetaDesign created this sans FontFont between 1996 and 2000. The family has 18 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Info Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining, proportional oldstyle, and tabular lining figures. In 1998, FF Info Display received the The Big Crit award. This FontFont is a member of the FF Info super family, which also includes FF Info Correspondence and FF Info Text.

Diseñadores: Ole Schäfer, Erik Spiekermann

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Feb 2, 2004

FF Info Display® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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