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FF Meta® Serif

por FontFont
Estilos individuales desde $108.99 USD
Familia completa de 12 fuentes: $460.99 USD
La familia tipográfica FF Meta Serif fue diseñada por Christian Schwartz, Erik Spiekermann, Ralph du Carrois, Kris Sowersby, Botio Nikoltchev y publicada por FontFont. FF Meta Serif contiene 12 estilos y opciones de paquete familiar.

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Type designers Erik Spiekermann (D), Christian Schwartz (US), and Kris Sowersby (NZ) created this serif FontFont in 2007. Extensions were made by Ralph du Carrois (D) and Botio Nikoltchev (BG). The family has 12 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Greek and Cyrillic writing systems. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Correspondence, and FF Meta Headline.

Diseñadores: Christian Schwartz, Erik Spiekermann, Ralph du Carrois, Kris Sowersby, Botio Nikoltchev

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Nov 19, 2008

FF Meta® Serif is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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