Ir directamente al contenido
Ir al contenido principal

FF Tisa®

por FontFont
Estilos individuales desde $68.99 USD
Familia completa de 14 fuentes: $629.99 USD
La familia tipográfica FF Tisa fue diseñada por Mitja Miklavcic y publicada por FontFont. FF Tisa contiene 14 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


Slovenian type designer Mitja Miklav?i? created this serif FontFont between 2008 and 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, small text as well as web and screen design. FF Tisa provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2007, FF Tisa received the TDC2 award. This FontFont is a member of the FF Tisa super family, which also includes FF Tisa Sans.

Diseñadores: Mitja Miklavcic

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Nov 19, 2008

FF Tisa® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

Seguir leyendo

Leer menos