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Vanitas™

por Reserves
Estilos individuales desde $49.00 USD
Familia completa de 8 fuentes: $333.20 USD
La familia tipográfica Vanitas fue diseñada por Michael Jarboe y publicada por Reserves. Vanitas contiene 8 estilos y opciones de paquete familiar. Más información sobre esta familia

Sobre la familia


Vanitas is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. Stylistically, Vanitas’ alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complimented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas’ sharp characteristic through each style. Features include: Precision kerning Standard Ligatures set including ‘f’ ligatures (fb, ff, fh, fi, fj, fk, fl ffb, ffh, ffi, ffj, ffk, ffl, ffy, ae, oe, AE, OE) Discretionary Ligatures set including (st, ct, No) Alternate characters (H, A, AE, Q, $, h circumflex, ¶ and numero sign) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Tabular Lining, Proportional Lining, Tabular Oldstyle and Proportional Oldstyle Figures Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Diseñadores: Michael Jarboe

Fundición: Reserves

MyFonts debut: Nov 27, 2011

Vanitas™ is a trademark of Reserves.

Acerca de Reserves

Reserves is an independent type practice focused on a library of designs spanning structured, utilitarian forms and experimental, expressive styles. The collection includes condensed sans-serifs, modular stencils, geometric constructions, and idiosyncratic display faces, often shifting between clarity and graphic intensity. Some families emphasize versatility and restraint, while others explore unconventional rhythms and contrast. The library documents a formative period of independent exploration in typography.

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