Ir directamente al contenido
Ir al contenido principal

FF DIN® Round

por FontFont
Estilos individuales desde $93.99 USD
Familia completa de 5 fuentes: $379.99 USD
La familia tipográfica FF DIN Round fue diseñada por Albert-Jan Pool y publicada por FontFont. FF DIN Round contiene 5 estilos y opciones de paquete familiar.

Más información sobre esta familia

Sobre la familia


This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities. FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen. This FontFont is a member of the FF DIN super family, which also includes FF DIN.

Diseñadores: Albert-Jan Pool

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Oct 31, 2016

FF DIN® Round is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

Seguir leyendo

Leer menos