Reckham is a mutant Scotch Roman. We wanted to draw a Century Expanded that turned Clarendon when it got bolder, but somewhere along the way the serifs came unbracketed and our ideals of clarity and rigor had to make room for a few eccentric details. Six weights, four degrees of contrast, and matching italics add up to 48 styles. The full Reckham family includes variable roman and italic fonts, so users can fine-tune weight and contrast to suit themselves. 

Field Gothic is an eight-weight, eight-width, possibly-too-personal journey through the history of American and European sanses that may or may not parallel our own journey from New York City to Dublin. Overall, the look is crisp and on the cool side, with slightly superelliptical curves. The lightest weights are almost monoline. Above that, arches and bowls have sharply contrasting junctures and a notably snug fit. 

Dashiell was made to be read. Designed by a devoted reader with lousy eyesight, it’s an attempt to combine the warmth and frankness of Caslon with the lucid elegance of Garamond. Counters and x-height are ample but not large. Apertures are moderately open, and unbracketed wedge serifs add crispness. The collection includes three families: Dashiell Text, Dashiell Bright, and Dashiell Fine, for a total of 31 styles.