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Apothem Condensed

Apothem Condensed

by deFharo
Individual Styles from $20.00
Complete family of 5 fonts: $75.00
Apothem Condensed Font Family was designed by Fernando Haro and published by deFharo. Apothem Condensed contains 5 styles and family package options.

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About Apothem Condensed Font Family

Apothem is a very versatile condensed typefaces, recommended for a wide range of applications. From the composition and design of publications, brochures, posters or signage to the creation of logos, product packaging, signage or corporate image, elevating any project to a higher level.

Apothem encapsulates the essence of geometry, mathematics, and the refined art of sans serif fonts.

Creating Apothem has not been an easy task; It has required a meticulous process, full of patience and an unwavering passion for avant-garde typographic design. This effort has resulted in a futuristic geometric style typography, characterized by its elegance, exceptional readability and effortless elegance.

Apothem is distinguished by its five different weights, expanding the creative possibilities for designers and brands.

Its support for Latin Extended-A, condensed proportion, alternative letters and numbers, and advanced Open Type features, including dynamic fractions, make it an indispensable tool in any designer's arsenal.

The meticulous definition of proportions, metrics and kerning, inspired by the beauty of golden mathematical sequences, guarantee maximum readability and a wide range of usage modes.

Designers: Fernando Haro

Publisher: deFharo

Foundry: deFharo

Design Owner: deFharo

MyFonts debut: May 14, 2024

Apothem Condensed

About deFharo

My name is Fernando Haro, I am a freelance graphic designer and I live in Spain.I always liked the purity and expressiveness of vector design, unintentionally discovering typographic design made me find a passion.In the way I learn, I have developed different font styles, so my work is eclectic.Technically I am very interested in relating mathematical sequences with proportions, metrics and kerning and minimalism in vector drawing drives me.

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