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Home > Fonts > Shinntype > Aptly

Aptly

Aptly by Shinntype
Individual Styles from $30.00
Complete family of 14 fonts: $200.00
Aptly Font Family was designed by Nick Shinn and published by Shinntype. Aptly contains 14 styles and family package options. More about this family

About Aptly Font Family


The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are carefully balanced against rigorous structure.

All four of the main weights, including italics, have exactly the same metrics. Beyond these basic styles, suitable for both text and headline, there are additional display fonts—Extra Bold and Black for density, and College, Rust, Rough and Medium Shadow for decorative detail.

As options, minuscule-form “a” and “e” are provided at cap height for the classic unicase style, in all 14 fonts.

Designers: Nick Shinn

Publisher: Shinntype

Foundry: Shinntype

Design Owner: Shinntype

MyFonts debut: Dec 30, 2020

Aptly

About Shinntype

“Just do it, don’t think about what will work [in the marketplace] or what other people have done,” Nick Shinn said in his Creative Characters interview. “I just work with the tools, with the ideas that currently happen to be floating around in my head, and see what comes out.” Born in London, England, Nick launched Shinntype in 1998 in Toronto. He started his career as an advertising art director. “After I’d moved to Canada,” he said, “I got into advertising. I thought that if you wanted to understand the modern world, you had to understand advertising, and the only way to understand it was to get inside it and become involved in doing it in a practical sense.” Shinntype was one of the first online foundries in 1999, and continues to be a leading Canadian-owned foundry, publishing only original typefaces, all of which are designed by Nick. Dozens of font families in a wide variety of styles are offered; bestselling typefaces include Bodoni Egyptian, Brown, and Pratt Nova. “Type design can last a long time,” Nick said. “People are still using typefaces that were designed centuries ago, or fifty years ago — they have longevity. You don’t have to make it faddish to make it useful and functional. As long as you design something that is unique and original, because the global market for fonts is so huge, and people in different countries are so different, you never know how people are going to use fonts.”