About Aromatron Font Family
Aromatron is a friendly yet striking display typeface with a balanced and consistent rhythm. Drawing inspiration from the shapes of nature, unique solutions were employed to achieve a rich, dark, creamy texture.
The font is equipped with numerous OpenType features:
- lining and old-style numerals,
- automatic fractions,
- small caps, petite caps, and “medium caps” sized between capitals and small caps,
- subscript and two sets of superscript characters (one aligned with the ascender and one exceeding it),
- contextual swash capitals.
Petite cap glyphs compose well with regular lowercase and are employed by stylistic sets for a unicase effect or compact typesetting.
Aromatron offers support for most Latin-based languages, including:
Afrikaans, Aghem, Aja, Akan, Albanian, Alsatian, Asturian, Azeri, Basaa, Breton, Catalan, Central Yambasa, Chinese Pinyin, Croatian, Czech, Dagbani, Danish, Dinka, Duala, Dutch, English, Esperanto, Estonian, Ewe, Ewondo, Finnish, Fon, French, Fula, Gagauz, German, Guarani, Hausa, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Jula, Kabyle, Khoekhoe, Koyra Chiini, Koyraboro Senni, Latin, Latvian, Lingala, Lithuanian, Livonian, Maasai, Maltese, Mapudungun, Marshallese, Mundang, Navajo, Ngiemboon, Ngomba, Northern Sami, Norwegian, Polish, Portuguese, Riffian, Romanian, Scottish Gaelic, Serbian, Shawiya, Shilha, Slovak, Slovenian, Spanish, Swedish, Tagalog, Tlapanec, Turkish, Uzbek, Uzbek (planned reform), Vai, Vietnamese, Walser German, Welsh, West Frisian, Yoruba, Zarma, Zazaki, Zulu.
The International Phonetic Alphabet with mark attachment is supported too. A selection of symbols and ornaments completes the vast character set.
About Adam Jagosz
Adam Jagosz is a Poland-based type designer focused on holistic letterform exploration. His fascination with letters was born as soon as he first held a pen and was amplified through studying classical and modern calligraphy styles. Combined with a technical inclination, a flair for linguistics and attention to detail, it drove Adam to create unique and innovative typefaces of various genres, always with focus on coherent execution and broad language support.