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Axial cut

by deFharo
Individual Styles from $21.00 USD
Complete family of 4 fonts: $63.00 USD
The Axial cut Font Family was designed by Fernando Haro and published by deFharo. Axial cut contains 4 styles and family package options. More about this family

Per Style:

$17.00 USD

Pack of 2 styles:

$34.00 USD

Per Style:

$17.00 USD

Pack of 2 styles:

$34.00 USD

About the family


Axial Cut is a sans serif typeface (Latin Extended-A), a contemporary and rounded evolution of geometric fonts for screen, but this time the letters are built on an axial axis that results in trapezoidal counter-shapes, joints with reduced antlers and rounded corners that correct optical effects in small sizes to make the typography more legible, and at the same time, in large sizes it shows its original shapes.


The Axial Cut typeface family is made up of four weights: Light, Regular, Medium and Bold, each with 785 characters. I have taken particular care with the metrics and dimensions of each letter or sign, with a very careful and precise kerning configuration to achieve the For maximum readability, these are fonts with slightly higher ascenders than capitals and short descenders to make it more compact.


The editing possibilities and unique designs with these complex typefaces are very wide, the fonts have a complete set of uppercase letters and a lowercase set with alternative characters as well as lowercase letters and numbers in different positions (lowercase, denominators, numerals, and uppercase) that They also work as automatic fractions, they also incorporate small capital letters and three sets of alternative numbers (Normal, Old style numbers, Square numbers), etc.


Discover other alternative signs, characters and Open Type functions in the PDF: Specimen & The Cheat Sheet.

Designers: Fernando Haro

Foundry: deFharo

MyFonts debut: May 2, 2023

Axial cut

About deFharo

deFharo is the independent type foundry of Spanish graphic and type designer Fernando Haro. With more than 30 years of experience in graphic and advertising design and over a decade devoted to typeface design, Fernando Haro has developed an eclectic body of work that ranges from editorial and corporate typefaces to expressive display, geometric, technological, retro and experimental designs. His approach combines visual character with typographic functionality. Every typeface begins with drawing, proportion and a clear visual idea, and evolves through meticulous work on spacing, metrics, kerning, optical corrections and OpenType features. Rather than following a single recognizable style, deFharo explores different typographic territories according to the personality and purpose of each project. Some families are designed for long-form reading and editorial systems; others are built for branding, headlines, packaging, signage or highly expressive graphic compositions. A strong interest in vector drawing, typographic systems and functional design runs throughout the collection. Alternative characters, small caps, Petite Caps, fractions, numerals, ligatures, symbols and extended language support are frequently developed as integral parts of the typeface rather than as afterthoughts. The result is a growing collection of typefaces designed to be both distinctive and useful — fonts with personality, but also with the technical precision required for professional graphic and editorial work. deFharo typefaces are designed by Fernando Haro and published independently from Spain.

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