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Baba Jaga

Baba Jaga

Individual Styles from $13.00
Baba Jaga Font Family was designed by Michael Kovacevich and published by MKGD. Baba Jaga contains 1 styles.

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About Baba Jaga Font Family

Baba Jaga is a font you may want to turn to if you’re in need of something eye catching, if not, eye gouging! Thinking of something horrific? Something distressing? Baba Jaga is your go to font,

Whether you’re putting together a flyer for a Halloween party, or trying to put a little “oomph” into a poster that needs a little something jarring, Baba Jaga may just be what you’re looking for. See for yourself…if you dare! (ok, that was a bit corny, but it wouldn’t have been if it was set in Baba Jaga!)

There is no lower case for Baba Jaga as it is a display font. The Upper case version serves both the upper and lower case keys.

Baba Jaga has a glyph count of 390 and supports the following languages;

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Designers: Michael Kovacevich

Publisher: MKGD

Foundry: MKGD

Design Owner: MKGD

MyFonts debut: Sep 4, 2021

Baba Jaga

About MKGD

My name is Michael Kovacevich and I run MKGD Font Foundry. I’ve been a professional graphic designer for the better part of three decades. I’ve freelanced, worked in various studios, and in the art departments of garment industries. During that time I, like most designers, have dealt with type on a daily basis. I’ve set, kerned, tracked, bastardized and hand lettered type of all kinds over those many years. These days however, I’ve decided to bring my experience to bear on the designing of typefaces. I like to think of it as distilling my years of experience into something that anyone with a creative interest could utilize. During the course of my efforts, I hope people will find my work as interesting for them to use, as it is for me to produce.

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