This is a listing of all glyphs contained in the
OpenType variants that may only be accessible via OpenType-aware
Each basic character (“A”) is followed by Unicode variants of the same
character (Á, Ä…), then OpenType variants (small caps, alternates,
ligatures…). This way you can see all the variations on a single
character in one place.
You can use this font in any of the following places. Read the full EULA text for details about each license. If
you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.
Desktop: for use on a desktop workstation
For the most common uses, both personal and professional, for use in desktop applications with a font
Install the font on your Mac OS X or Windows system
Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe
Create and print documents, as well as static images (.jpeg, .tiff, .png)
Desktop licenses are based on the number of users of the fonts. You can change the number of users by
clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's
Desktop license agreement
as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of
locations), and products that will be sold.
Adding users later:
Desktop licenses are cumulative. If you require a Desktop license that covers additional users, simply
place a new order for the same Desktop package, for the number of additional users.
You can use this type of license to embed fonts into digital ads, such as ads built using HTML5.
We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit
may be shared with third parties who are working on your behalf to produce the ad creatives, however you
are wholly responsible for it.
HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license?
There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and on
Digital advertisements also have different usage patterns compared to websites. Most websites generally
have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month.
Prices reflect this, making it much less expensive to use a Digital Ad license.
If you know the number of impressions the campaign requires, that amount can be ordered before the
campaign begins. For campaigns where number impressions is unknown until the end of the campaign, you can
true up at the end of each calendar month.
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web
design agencies or hosting providers, may not share a single webfont license across multiple websites.
Every time the webpage using the webfont kit is loaded (i.e, the webfont kit CSS which holds the
@font-face rule is called) the counting system counts a single pageview for each webfont within the
For usage in graphic images shown on the website, consider a Desktop license instead as most allow for it.
MyFonts offers three types of webfont licenses: Annual, Pay Once, and Pay As You Go. Only one of these
three would be available for a given webfont. Click here to
You can use an Electronic Doc license to embed the font in an electronic publication such as an eBook,
eMagazine, eNewspaper, or interactive PDF.
An Electronic Doc license is based on the number of publications in which the font is used. Each issue
counts as a separate publication. Regional or format variations don't count as separate publications.
Updated versions of publications that are free to previous customers do not need a new license; otherwise,
each new version that is released counts as a separate publication.
For font usage in graphic images shown as the ePub cover, consider a Desktop license instead as most allow
Bogue is a soft serif type family of 8 weights and matching italics. The soft forms gives it a friendly and approachable character with a hint of retro feeling. Bogue comes with a lots of stylistic alternates that makes it very versatile in various uses like logos, editorial design, branding, web design, package design and much more. You can use it to create short powerful phrases and headlines and also use it in longer text like lead paragraphs and body texts. So if you are looking for a versatile soft serif font with a friendly character you have found it!
“I have always been interested in various forms of hand lettering, graffiti, sign painting and calligraphy,” Mika Melvas said in his Creative Characters interview. “As a kid I was very interested in graffiti. I drew and sketched it in my notebooks, and in art class my favorite tasks were always the ones that included some typographical elements. At some point I found calligraphy. There was something in calligraphy that fascinated me a lot. It is hard and demanding and needs regular training. And it is so pure; you can’t hide your mistakes or take short cuts. It is just forms and whitespace. I’m not a master calligrapher by any means but I like to do it and it makes me a better type designer and lettering artist.” For Mika, type design was a hobby long before it became the primary way he made his living. He began his career as an art director and graphic designer in advertising agencies and experimented with type on the side. Following his passion, Mika worked hard to guide his career towards becoming a full-time type designer and lettering artist. “I worked on my calligraphy and lettering a lot,” he said, “ and practiced vectorizing them. After a long period of hard training I was able to resign from my art director’s post and start my own foundry. I think it’s good to have knowledge and experience of graphic design — it has worked for me at least. It means that you have an understanding how your clients would use your fonts and what kind of expectations they have.” Since he first began selling his designs on MyFonts in 2011, the self-taught type designer has released over a dozen families. His library spans a typographic range from an extra bold slab serif, Ringa, to his more signature style of playful brush script fonts like Paintlay and Ahkio. “I think hand-sketching is a very important thing – at least for me — especially when you are doing a script font. You can’t beat the flow and rhythm one achieves with just pen and paper. I think you can focus better on the bigger picture; composition, flow and style, when doing things with just pen and paper. I easily rush to fine tune the details too early when using just a computer. Type design is a combination of creativity and engineering and that is very interesting to me. You get the best of both worlds.” For more on Mika, check out his website and follow him on Twitter and Instagram.The Premium foundry page can be viewed Here.