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CDuflos

CDuflos

by Eurotypo
Individual Styles from $42.00
CDuflos Font Family was designed by Olcar Alcaide and published by Eurotypo. CDuflos contains 2 styles. More about this family
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About CDuflos Font Family


Claude Duflos was a French engraver and printmaker at the end of the 1600s. He produced a great number of beautiful plates, executed principally with the graver very neatly finished. At the base of his work we can appreciate his legible lettering carefully executed with his particular ductus. During this period three different hands were developed in France: Ronde (an script deriving from “Civilité”), “Lettre Italianne” and Bâtarde Coulée that is a modification of ronde. The hand of joined letters, which lent itself to a rapid writing, became a model for English round hand or copperplate style. CDuflos is our typographic interpretation of the lettering style produced by Claude Duflos. CDuflos is presented in two versions: Basic and Extended Pro, which include diacritics for Central European languages. The Pro version also comes with a set of decorative glyphs including ligatures, alternates and swashes, including terminal letters and a set of ornaments.

Designers: Olcar Alcaide

Publisher: Eurotypo

Foundry: Eurotypo

Design Owner: Eurotypo

MyFonts debut: Feb 23, 2013

CDuflos

About Eurotypo

Eurotypo is a small foundry established in 2004 by Alberto Di Santo and Olcar Alcaide that focuses on research, design, and the production and education of typography. Originally formed in Santa Severa, Italy, the group has since moved its headquarters to Madrid, Spain and has been joined by designer Carine de Wandeleer. “In Eurotypo we develop new and original typefaces inspired by both the models of ancient writing and the investigation of new forms of expression based on the communication function of typography,” the group says. The group made its MyFonts debut with Antium, and has followed it up with bestsellers such as script faces Aleka and Juliette. “Our fonts are carefully handcrafted. We concentrate on the design and production of our typefaces and all of the formal and technical aspects of our fonts are controlled in much detail: readability, visibility and expressiveness as well as Opentype features, and kerning accuracy.”